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Album Reviews

Album Reviews

16th of November 2020

Album Review – Tony Alonso: Caminemos con Jesús

The Context Theologian and composer/songwriter Tony Alonso has released 23 albums to date, and Caminemos con Jesús is the latest release in this long line of resources for the church. In 2015, Alonso was invited to compose the responsorial psalm for the first Mass Pope Francis celebrated in the United States—a fitting recognition of his […]

5th of October 2020

Album Review – Cardiphonia: Daughter Zion’s Woe

THE CONTEXT Daughter Zion’s Woe is a joint release by Cardiphonia and The Liturgy Fellowship, with Rachel Wilhelm as producer. There are several remarkable albums of lament that have been released during this remarkable year of sorrow and suffering (see previous review from David Bjorlin and Adam Perez), but this album stands apart as a […]

14th of September 2020

Singing Justice and Lament: Two New Albums from The Porter’s Gate

This blog is co-authored by David Bjorlin and Adam Perez. David is a worship pastor at Resurrection Covenant Church (Chicago), a lecturer in worship at North Park Theological Seminary (Chicago), and a published hymnwriter. Adam is a doctoral student in liturgical studies at Duke Divinity School.   It didn’t take long for The Porter’s Gate’s […]

3rd of February 2020

Album Review – His Mercy Is More: The Hymns of Matt Boswell and Matt Papa

The Context Matt Boswell and Matt Papa have been cowriting hymns for over a decade, and this album represents the fruit of their co-labor. Boswell is a lead pastor at a church in Texas while Papa serves as artist-in-residence at a Nashville church. Papa has described their regular practice of connecting using video chat or […]

28th of January 2020

Album Review – Cardiphonia, “Hollow Square Hymnal”

The Context Cardiphonia is a collaboration of artists and musicians who give their first fruits to the church.  Bruce Benedict, Chaplain of Worship and Arts at Hope College is the founder and director for Cardiphonia, and thus responsible for curating the artists who participate on each record. “Hollow Square Hymnal” was released in 2016 and […]

19th of June 2019

Album Review – Christopher Williams, “We Will Remember”

The Context Over his two-decade career, singer/songwriter Christopher Williams has played with the likes of Jars of Clay, Phil Keaggy, and David Wilcox. Williams is located in Nashville, and this most recent record is his 12th full-length album. “We Will Remember: Songs Inspired by the Book of Joel” is a different project for him, however, […]

9th of May 2019

Album Review – Joseph Pensak, “Hallowell”

The Context Hallowell is the name for Jospeh Pensak’s first project since participating in Bifrost Arts’ “Come, O Spirit!” From 2007. Pensak is a Presbyterian pastor in Burlington, Vermont, and the Hallowell album features a plethora of Vermont-based musicians. Pensak worked with composers and vocalists, including a chamber music collective and a chamber folk band, […]

27th of March 2019

Album Review – Pat Barrett, “Pat Barrett”

The Context You have probably heard Pat Barrett’s songs, if you have any exposure to Christian radio. This self-titled album is his first solo release, however. Barrett is a frequent cowriter, with previous songs appearing on the Housefires albums. He is also the author of the popular song covered by Chris Tomlin, “Good Good Father.” […]

22nd of March 2019

Album Review – Jeremy Moore, “Pillars”

The Context: “Pillars” is the second album from singer/songwriter Jeremy Moore. This album is a rearrangement of several hymns with pop, indie rock, southern rock, and folk sensibilities. Moore’s previous album is more in the intersection of jazz and singer/songwriter genres, which still manifests in moments on “Pillars.” Moore is based in Birmingham, Alabama, and […]

20th of February 2019

Album Review – Hillsong Worship, “There is More (Live)”

The Context Hillsong Worship, not to be confused with Hillsong United or Hillsong Young & Free, is a behemoth in the “industry” of music for Christian worship. Considered individually, each team of Hillsong’s writers has a slightly different generational or demographical focus, with Hillsong Worship being the more “adult” or cross-generational of the three. Each […]