Our Team

Brian Hehn

Brian is an inspiring song-leader equally comfortable leading an acapella singing of “It Is Well” as he is drumming and dancing to “Sizohamba Naye.” Experienced using a variety of genres and instrumentations, he has lead worship for Baptists, Roman Catholics, United Methodists, Presbyterians, and many more across the U.S. and Canada. He received his Bachelor of Music Education from Wingate University, his Master of Sacred Music from Perkins School of Theology, Southern Methodist University, and is certified in children’s church music (K-12) by Choristers Guild. He has articles published on sacred music and congregational song in multiple journals and co-authored the book All Hands In: Drumming the Biblical Narrative, published by Choristers Guild. While working for The Hymn Society as the Director of The Center for Congregational Song, he is also Associate Director of Contemporary Music at the Cathedral of Mary Our Queen in Baltimore, Maryland, and adjunct professor of church music at Wingate University in Wingate, North Carolina. Brian lives in Baltimore, Maryland, with his wife, Eve, and son, Jakob.

Ben Brody

Ben Brody graduated from Whitworth University in 1998, and returned in 2003 to teach in the music department of Whitworth. Prior to his current position, Ben spent four years as director of worship and music at First Presbyterian Church of Seattle. At Whitworth, he teaches courses in church music, conducting, and music history, and coordinates music for campus worship services. Ben cares deeply about the role of music in corporate worship, and is passionate about helping pastors, church musicians, and worship committees develop faithful worship practices in their congregations. Ben is director of music at Colbert Presbyterian Church, in Colbert, Wash., and currently serves on the Washington state board of the American Choral Directors Association. He is also the president-elect of The Hymn Society in the United States and Canada and is a published composer of congregational songs.

Rylan A. Harris

Min. Rylan Harris is Minister of Worship & Arts at Ray of Hope Christian Church in Atlanta, Georgia while he pursues a Master of Religious Leadership with a concentration in Music and Worship at Candler School of Theology. He is a graduate of Hampton University in Virginia and remains active with the Hampton Ministers Conference each June.

Felicia Patton

Felicia Patton is a lifelong Chicago native and worship leader at Urban Village Church. Felicia received an undergraduate degree from North Park University followed by two graduate degrees from Garrett-Evangelical Theological Seminary.

David Bjorlin

David Bjorlin is a worship pastor at Resurrection Covenant Church (Chicago), a lecturer in worship at North Park Theological Seminary (Chicago), and a hymnwriter.

Ginny Chilton Maxwell

Ginny Chilton Maxwell is Music Minister at Gloria Dei Lutheran Church in Hampton, VA.

Adam Perez

Adam Perez is a doctoral student in liturgical studies at Duke Divinity School.

Rosa Cándida Ramírez

Rosa Cándida Ramírez is the Worship Pastor of La Fuente Ministries, an intercultural, intergenerational bilingual ministry in Pasadena, California.

David Calvert

David Calvert is the Creative Arts Director for Grace Community Church in rural North Carolina, and a PhD graduate in Theology and Worship from Southeastern Baptist Theological Seminary.

Thomas Wesley (TWes) Moore

Bio Coming Soon!

Megan Mash

Megan Mash began serving as the Music Minister at Sebastian United Methodist Church in August 2010. She attended Simpson College in Indianola, IA and graduated summa cum laude earning a Bachelor of Arts in Music and Religion. In May 2010 Megan graduated magna cum laude with a Master’s of Sacred Music with a concentration in organ from Perkins School of Theology at SMU. Here she studied with Larry Palmer, David R. Davidson, Julie Scott and Michael Hawn and Christopher Anderson. She served as Dean of the Treasure Coast Chapter of AGO for the 2017-2018 season.

Jonathan Hehn

Jonathan Hehn, OSL, is a musician and liturgist currently serving as Choral Program Director and Organist at the University of Notre Dame. He is a brother in the Order of Saint Luke and holds degrees in music (BM, DM) from the Florida State University and theology (MSM) from the University Notre Dame. Additional time was spent at the Universität Mozarteum in Salzburg, Austria. Jonathan has won prizes in both regional and national competitions in organ performance and remains active as a performer.

A scholar in the area of sacred music and liturgy as well, Jonathan has presented at both national and international conferences, and his written work has appeared in The American Organist, The Hymn, These Days, Call to Worship, Doxology, and other print and online periodicals. He currently edits Sacramental Life, a quarterly theological magazine published by the Order of Saint Luke.

Jonathan resides in South Bend, Indiana with his wife, three children, and dog. A passionate practitioner, writer, and thinker, you can find him on Facebook, Twitter, and Instagram @JonathanHehn.

Slats Toole

Joslyn Henderson

Joslyn Henderson is a full-time graduate student at Truett Seminary and Baylor School of Music, having first earned her Bachelors of Vocal Performance from Spelman College in Atlanta.  She is a prolific gospel singer and worship leader and currently serves as the Ministry Associate for Worship & Chapel at Baylor University, as well as the Minister for Worship & the Arts at One Fellowship United Methodist Church.

Joshua Zentner-Barrett

Josh Zentner-Barrett is a dedicated church musician who serves as Organist & Director of Music at Kanata United Church in Ottawa, Canada. He holds degrees in organ and sacred music from Wilfrid Laurier University (BMus) and Southern Methodist University (MSMus), and is an Associate of the Royal Canadian College of Organists. Josh’s work seeks to enliven the song of the congregation, with a particular commitment to global music in the context of the church community.  His leadership fuses ancient and modern hymnody with innovative performance techniques, and he is particularly interested in song at the intersection of cultures and faiths.  At the core of Josh’s teaching is a response to the call to witness, where music engages the congregation in a full experience of the sacred and bridges the gap between diverse expressions of faith.