Press Release: THE HYMN SOCIETY HOLDS CONFERENCE IN MONTRÉAL
For immediate release
February 27, 2023
THE HYMN SOCIETY HOLDS CONFERENCE IN MONTRÉAL
The Hymn Society in the United States and Canada will hold its Annual Conference July 16-19,
2023, on the campus of McGill University in Montréal. This year’s theme, “Land, Language, and Liberation,” offers an opportunity to explore how to celebrate, praise God, and live into the
church’s mission in light of the challenges we face in the world today. Both in-person and online
registrations are available.
The conference will include an abundance of opportunities for learning, connecting,
celebrating, singing, and more:
Four hymn festivals in all, led by Frédéricka Petit-Homme, Jonathan Maracle, Leslie Jordan, and a special guest with each festival including songs of various traditions and genres, including Gospel, First Nations, French Catholic, and Praise & Worship
Four plenary presentations by Kenny Wallace, Kuzipa Nalwamba, Lester Ruth, and a panel led by Anneli Loepp Thiessen and Becca Whitla
Six featured sessions, exploring various perspectives on the intersection of congregational song with culture, language, and more
More than thirty sectionals, including new music showcases and sessions on historical topics, pedagogy, theology, and song from Canada, the Black diaspora, and outside North America
A pre-conference organ recital by Isabelle Demers
A bookstore and silent auction
Times to eat, sing, and share conversation
Anyone who believes in the importance of congregational song is welcome to register for the
full conference. Advance registration rates are available through June 15. For more information
or to register, visit www.thehymnsociety.org.
This information is provided by J. Michael McMahon, Executive Director of The Hymn Society in the United States
and Canada, 5 Thomas Circle, NW, 4 th floor, Washington, DC 20005-4153. For more information, please contact Dr.
McMahon at email@example.com or 800-843-8966.
Founded in 1922, The Hymn Society in the United States and Canada is an ecumenical organization of people who are passionate about hymns and congregational song. The Hymn Society community, open to all, is made up of scholars, church musicians, poets, composers, choir directors, choir members, clergy, worship planners, song leaders, music publishers, music educators, and people who love to sing. We believe that the holy act of singing together shapes faith, heals brokenness, transforms lives, and renews peace. Our mission, therefore, is to encourage, promote, and enliven congregational song.
The Hymn Society in the United States and Canada has announced that its Annual Conference, scheduled for July 12-16, will be an all-digital event. The conference was originally to have been held at Emory University in Atlanta, but in light of the current health crisis, the Executive
Committee has decided to embrace the opportunity for gathering in a new (virtual) location and to explore an opening for growth and expanded outreach.
The theme of this year’s Annual Conference is “Why We Sing: The Song, The Singer, The Singing.” Each full day will begin with a plenary address investigating one of these three aspects by noted scholars and leaders Miriam Therese Winter, MMS, Alisha Lola Jones, and Donald
Schell. The program will also include six featured sessions, more than twenty sectional (breakout) sessions, daily opportunities for interactive discussions, social gatherings, a hymn-based organ recital, and prayer. All events will be recorded and archived so that registrants can access them for an extended period of time beyond the conference.
Four evening events during the conference will be free and open to the public through live streaming. These four festival events celebrating the breadth and diversity of congregational song will be led by Tom Trenney, Kim Harris, Saya Ojiri, and Diana Sanchez Bushong. Options for registration include both full and basic conference packages. The Hymn Society gladly welcomes non-members to join in this exciting event.
One of the joys of my position as the Director of The Center for Congregational Song is to be asked interesting questions from people who are working week in and week out to get their congregations singing. This series of blogs will take some of the questions I’ve been asked and post the answers publicly.
I have a deep desire to write songs. But I can’t…it’s not my gift. But here’s what I want: modern justice songs. New songs that are today’s equivalent of “We Are Called” (Marty Haugen), “Beatitudes,” or “They’ll Know We Are Christians” or some of the great justice hymns. I’m fully aware that those songs are great and classic hymns and are important to our tradition (Roman Catholic). But I want to create a new genre. Not hymns, but praise songs (focused on God) that somehow still speak to the communal nature of our church. There are a few of these out there, but not nearly enough. Are there groups or artists out there who are working on this?
Joe Youth Minister
First, thanks for your question! So many people are asking themselves the same thing. The church is always changing and learning. While we love the songs that speak to who we were and are, we’re also called to create hymns and songs that speak to who God is calling us to be. Like you referenced by mentioning Marty Haugen, many members of The Hymn Society (as well as others) who write mainly strophic hymnody have been writing songs and hymns with these topics in mind for decades. Authors that come to particularly to mind are Shirley Erena Murray, Adam Tice, Dan Damon, Carolyn Winfrey Gillette, Ruth Duck, and many more…there are too many to name here. However, since you asked about a “new genre” and specifically mentioned “praise songs,” I’m thinking that you’re wondering about music written for praise-bands but which have socially-progressive texts.
Below is a list of artists, groups, and other things to look at concerning social-justice oriented music that comes from or is designed for a more praise-band oriented style. When listing an group or artist, I’ve tried to link to a specific song that I think is a nice representation of their work/style. I hope this is helpful. Feel free to reach out anytime with other questions.
The Convergence Music Project
is a conglomeration of artists, many from the United Church of Christ and other socially-progressive denominations, who are writing theological liberal and/or social-justice oriented music. There are lot of great artists in that group, so make sure to look through their full catalog, but today I’ll point you to The Many, especially their song “These Bodies” https://www.convergencemp.com/artist/the-many/these-bodies.html
while often published as looking like traditional music, is often a go-to for me because I’ve found it works equally well with an organ/piano/choir set-up as it does with a praise-band. You can learn about Mark and his music here: http://www.markamillermusic.com/
is a group of mostly evangelical, Anglican, and Reformed singer/song-writers who are moderate to liberal socially/theologically, but still rooted in their more conservative traditions. Where do they turn? This is a group trying to nurture each other’s musical and spiritual lives in a safe place where the CCM marketplace and/or their denominational bodies won’t stifle them. One of my favs from this group is Dee Wilson, whose song “Rose Pedals” is a powerful witness: https://commonhymnal.com/exchange/rose-petals-story
is a group The Center for Congregational Song recently collaborated who are writing some justice-oriented music. A new album will be coming this Fall. Their first album on “work songs” is pretty cool: https://www.portersgateworship.com/ The group includes a few of the people already mentioned above.
is a song-writing and worship-leading group centered around race reconciliation in Richmond, Virginia. Their songs are genre-bending goodness while staying rooted in Black Church styles and experiences. http://www.urbandoxology.com/
has a recent Advent/Christmas album (which I find problematic in a few places) that includes this gem with a very singable refrain of “There’s hope for everyone” after each line meaning this could easily be sung as a call-and-response: https://www.youtube.com/watch?v=X-ThP8qEio4
writes music that is not always congregationally focused, but sometimes it is. This is one of my favs from him, focusing on fighting inner voices that say our bodies and efforts aren’t good enough to be loved by God: https://www.youtube.com/watch?v=sYiM-sOC6nE
Have fun with exploring all that! I hope at least a few things will be new to you and maybe something will be helpful?
The Hymn Society Annual Conference 2019
This year’s Annual Conference theme is “Each Breath Is Borrowed Air.” Join over 300 of the nation’s top hymn scholars, teachers, and practitioners to learn and sing together.
July 14-18, 2019
For more information about this amazing event, click here.
Author – Ginny Chilton Maxwell is Music Minister at Church of the Ascension in Norfolk, Virginia, where she serves as organist, choirmaster, and elementary music teacher.
One of my choir members was telling me the other day that every time she hears “Be Thou My Vision,” she can picture the outdoor chapel where she worshipped at sleepaway camp as a child. She can feel the miniature Episcopal hymnbook in her hands and see the faces of the two women–sisters– who ran the camp. I was struck by the image of her as a child and the power of the music, combined with the setting, to make such an impression on her (this took place over 50 years ago!). It made me ponder how important it is that we all take some sabbath time to refresh ourselves, and how singing and summertime naturally lend themselves so well to that refreshment.
My choir member called it “sleepaway camp” but I just called it “camp” when I was a kid. The only camp I ever attended as a child was St. George’s Camp, at Shrine Mont in the Shenandoah Valley. I think my favorite part of camp was the worship services, which were held twice a day, and the best part of that was the singing. We sang all the music by heart and had hand motions for nearly every song. There are so many things that you share at camp, but sharing song is so powerful because it engages all of yourself: your voice, your body (especially if there are fun motions!), your sense of hearing, sight, and touch. It was something you could share with the other people at camp, something you could look around and feel you had in common with folks who were strangers just a few days ago.
I was a “St. G’s” camper over 25 years ago, but when I hear those songs I can still feel the friendship bracelets on my wrist and taste the grape soda like it was yesterday. I’m trying to think what else but music would conjure up such vivid memories. Looking at a photograph or touching an old t-shirt can certainly send a wave of memories crashing down on someone, but I think music has a special ability to help us recall the past in such detail.
St. G’s was so important to my sense of sabbath as a child. I came home with a cassette tape which I played on repeat after a tough day at school, in an 8-year-old’s version of what I would now call self-care. I looked forward to that week (just one week!) away every summer to clear my mind. It restored my self-confidence and put the stress I experienced during the school year into perspective. And I cried my little heart out to say goodbye to all my new friends, friends I’d only known for a week! I think music–specifically, singing together– had something to do with how close we were all able to grow in such a short amount of time, how renewed I felt, and how vividly I can recall these memories some 25 years later.
She can feel the miniature Episcopal hymnbook in her hands and see the faces of the two women–sisters– who ran the camp.
I no longer fit the age requirements for St. George’s Camp, but my need for a summer singing sabbath is as important as ever. The Hymn Society’s annual conference is one place I’ve found to refresh myself through singing in the summer. No counselors or bunk beds at this sleepaway camp, but you can often stay in a dorm with a roommate! My first annual conference was in 2012 in Winnipeg, Manitoba. I had never been to that part of Canada before, and I was struck by the vast expanses of prairie stretching out all around us as we rode the buses to and from the university for our evening hymn sings. So different from the east coast! The evening that sticks out in my mind the most was a hymn sing we did at a little Anglican church with a BIG organ. It was the first time I’d been introduced to the music of Thomas Pavlechko, who accompanied the hymn sing and played several of his hymn tunes and harmonizations. We had enough people there to fill nearly every seat in the church. I remember at one point I felt totally transported; everyone was singing with all their might, and our voices, woven together with the organ, filled every bit of aural space in the sanctuary. I got teary-eyed, and at the end, with uncharacteristic exuberance, I rushed up to have my picture taken with Mr. Pavlechko. I came home feeling refreshed, with a renewed passion for organ music and congregational singing. It was not just the music, but the fact that I could participate in it, and join my voice with so many others, that made this such a moving and refreshing experience for me.
Singing, Summer, Sabbath
I know there are many of us who read this blog who have had a similar experience at a Hymn Society annual conference. What year stands out in your mind? What about summers from your childhood, or the summers your own children are experiencing now? Are there summer camp experiences that set the precedent for your love of congregational song? What are you guys doing to refresh yourselves this summer?
…but when I hear those songs I can still feel the friendship bracelets on my wrist and taste the grape soda like it was yesterday.
Ginny’s Summer Camp Worship Service
“She can feel the miniature Episcopal hymnbook in her hands…”
Ginny Chilton Maxwell and Thom Pavlechko after Thom’s Hymn Society Festival
The beautiful church where Thom Pavlechko’s hymn festival was held in Winnipeg, Manitoba.
The organ played for The Hymn Society’s hymn festival that evening in Winnipeg, Manitoba.
The Hymn Society’s Annual Conference, the premier congregational song conference each year in the U.S. and Canada, has opened registration. Speakers include Ysaye Barnwell (formally from the ensemble “Sweet Honey On The Rock”), David Bailey (founder of Arrabon), and Cuban hymnologist Amos Lopez. Hymn Festival leaders include Ysaye Barnwell, Paul Vasile (Executive Director of Music That Makes Community), Urban Doxology, and more! Check out the full conference website here:
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